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A socio-art project by Molly Marina

COPENHAGEN / 2023
EDITION N° 01

100 faces.
What is power?

A portrait shows a face. A story opens a world. Meet 100 women and explore what strength might mean to you.

100 portraits · 100 perspectivesPhotography · stories · dialogue
AN INVITATION TO LOOK AGAIN

A hundred women.
Different lives. Unequal conditions.
No single definition of power.

A MOMENT FOR YOU

Look at her.
Look a little inward.

Art comes alive in the encounter with you. Take a question with you, or leave yourself a thought.

QUESTION 01 / 05

When did you feel strong without having to prove anything?

Your words stay in this browser. They are never sent to us.

THE PROJECT IN MOTION

Before the next portrait,
change the way you look.

Faces become stories. Stories become encounters. Step into the world of the exhibition.

Open the exhibition playlist ↗
Backstage at 100Portraits in Copenhagen

Loads the original film from Vimeo only when you choose to watch.

EDITORIALS / 01 / 02 / 03

Ideas to take with you.

Three questions the portraits cannot settle for us.

01

Is power a mindset, or a position?

Molly’s original reflection places mindset at the centre of empowerment. The participants’ stories make that proposition worth testing. Phaedria describes navigating exclusion; Anja writes about creating the conditions in which a team can learn. Determination matters in both accounts, but it does not act alone. Access, expectations and the decisions of other people shape what becomes possible. An exhibition about power becomes more interesting when it lets those forces remain visible. What can a change of mind accomplish? And what still requires a change in the room?

Phaedria St Hilaire ↗
02

Who can afford to fail?

Anja’s selected quote asks us to celebrate failure as well as success. It is an invitation to learn, but also a question for the people who design our workplaces: are the consequences of failure equally bearable for everyone? Her own account moves from personal responsibility to the work of helping a team develop. That shift matters. A generous attitude to our own mistakes is valuable; making it possible for someone else to make one is a different exercise of power. The portrait offers no universal answer. It gives us a specific place to begin.

Anja Lisborg ↗
03

Being yourself is not a solo act.

Amalie describes bringing her whole self to work and making room for others to do the same. The second part is easy to lose when authenticity becomes a personal slogan. Being visible takes place in a social setting: someone listens, someone sets expectations, someone decides what belongs. Her insistence on presence asks something practical of the viewer. Before encouraging another person to speak freely, what could you change about the way you receive them? The encounter becomes meaningful when attention is more than admiration.

Amalie Lange ↗
THE WORK BEHIND THE ENCOUNTER

From a city square.
To your perspective.

2023.

In October 2023, Molly Marina’s portraits stood in Copenhagen’s City Hall Square. Each woman appeared with her portrait, her words, and a way into her story.

The encounter continues here. Photography, words, personal symbols and music invite us to talk about gender, diversity and power. A hundred different ways of being human.

Read the story of the project ↗

Portraits and participant texts from the 2023 edition. Lives, roles and workplaces may have changed since then.

THE WOMAN BEHIND THE LENSMolly Marina↗
All 100 women, from A to Z